Vanessa-Mae started her career as a violin prodigy at age 10. Now, as an adult, she successfully straddles the worlds of classical and popular music. This has made her a sensation, but judging from this disc, the publicity surrounding her has nothing to do with either music or her playing. She is clearly a very talented violinist. Her technique is solid, sometimes even brilliant, but it's so old-fashioned that one cannot tell whether she slides so much because she likes it or because she can't find better fingerings, and her vibrato only gets wider when she tries to make it more intense. Her approach to the music is idiosyncratic, but shows no personal involvement or romantic feeling. The Brahms Scherzo and Bruch's Scottish Fantasia are aggressive and accented, rather than dramatic and passionate; the Beethoven Romance is sentimental, rather than expressive.
The Third Bach Partita comes off best: though a bit stiff and stodgy, it has character and really dances. The program ends with her own pop-rock arrangement of the Fantasia's final Scottish song. The recording does not serve her well. Poor engineering makes her tone, though basically good, shrill and squeezed under stress; the piano sounds distant, but clangorous; the orchestra ragged and unbalanced. The booklet carries a skimpy biography and lots of hype, as well as a lengthy essay written by her that makes her sound arrogant, condescending, and defensive, though it is clear that she honestly aspires to be all things to all people. Also, it is printed in type so small as to be barely visible.
More info:
http://www.amazon.com/Classical-Album-Vanessa-Mae-Enhanced-CD/dp/B000002ST7

Tracklist:
J.S. Bach (1685-1750)
Partita No. 3 in E for Solo Violin
01. I. Preludio 3:53
02. II. Loure 3:13
03. III. Gavotte En Rondeau 3:05
04. IV. Menuet I 1:16
05. V. Menuet II 1:25
06. VI. Bouree 1:15
07. VII. Gigue 1:35

Johannes Brahms (1833-1897)
08. Scherzo in C Minor for Violin and Piano 5:28

Ludwig van Beethoven (1770-1827)
09. Beethoven: Romance No. 2 in F for Violin and Orchestra Op. 50 8:31

Max Bruch (1838-1920)
Scottish Fantasy for Violin and Orchestra Op. 46
10. 1st Movement Introduction - Grave 3:17
11. Adagio Cantabile (on 'Thro' the Wood Laddie' / `Auld Rob Morris') 4:04
12. 2nd Movement - Allegro (on 'Hey the Dusty Miller') 5:26
13. 3rd Movement - Adagio 0:59
14. Andante Sostenuto (on 'I'm a Doun for Lack O'Johnnie') 5:31
15. 4th Movement, Finale - Allegro Guerriero (on 'Scots Wha Hae') 7:09

Vanessa-Mae
Traditional Scottish Folk Song
16. 'I'm a Doun for Lack O'Johnnie (A Little Scottish Fantasy) 4:28



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